Music License Agreement (Australia)
Music Copyright Licence — Australia
MUSIC LICENCE AGREEMENT
This Music Licence Agreement ('Agreement') is entered into on [Agreement Date] between:
[Licensor Name] of [Licensor Address], email: [Licensor Email] ('Licensor', the music rights owner); and
[Licensee Name] ([Licensee ABN]) of [Licensee Address] ('Licensee').
1. LICENSED MUSIC
1.1 Title: [Work Title]
1.2 Composer / songwriter: [Composer Name]
1.3 Recording artist: [Recording Artist]
1.4 ISRC code: [ISRC Code]
('Licensed Music')
1.5 The Licensed Music is protected under the Copyright Act 1968 (Cth). The Licensor owns or controls the copyright in the Licensed Music and has the authority to grant the licence in this Agreement.
2. LICENCE GRANT
2.1 Type of licence: [Licence Type].
2.2 Subject to the terms of this Agreement and payment of the Licence Fee, the Licensor grants the Licensee a non-transferable, non-sublicensable licence to use the Licensed Music for the following purpose:
Permitted use: [Permitted Use]
2.3 Territory: [Territory].
2.4 Licence term: [Licence Term].
3. LICENCE FEE
3.1 In consideration of the licence granted, the Licensee agrees to pay the Licensor: [Licence Fee].
3.2 All amounts are exclusive of GST unless stated otherwise. Where the supply is a taxable supply under the A New Tax System (Goods and Services Tax) Act 1999 (Cth), GST is payable in addition on receipt of a valid tax invoice.
4. RESTRICTIONS
4.1 The Licensee must not:
- use the Licensed Music for any purpose other than the permitted use in clause 2.2;
- sub-licence, transfer, or assign any rights under this Agreement to a third party without the prior written consent of the Licensor;
- alter, adapt, remix, or create derivative works from the Licensed Music without the prior written consent of the Licensor;
- use the Licensed Music in a way that is defamatory, obscene, or unlawful; or
- remove or alter any copyright notices or other identifying information attached to or associated with the Licensed Music.
5. INTELLECTUAL PROPERTY
5.1 The Licensor retains all intellectual property rights in the Licensed Music, including the copyright in the musical work and (if applicable) the sound recording. This Agreement does not transfer ownership of any intellectual property to the Licensee.
5.2 The Licensee acquires only the limited licence rights expressly granted in clause 2. All other rights are reserved by the Licensor.
6. TERMINATION
6.1 This Agreement terminates automatically at the end of the licence term specified in clause 2.4.
6.2 The Licensor may terminate this Agreement immediately if the Licensee breaches any term of this Agreement and fails to remedy the breach within 14 days of written notice.
6.3 On termination, the Licensee must immediately cease all use of the Licensed Music and, where practicable, remove the Licensed Music from all licensed materials.
7. GENERAL
7.1 This Agreement is governed by the laws of [Governing State], Australia.
7.2 This Agreement constitutes the entire agreement between the parties in relation to the Licensed Music and supersedes all prior negotiations and understandings.
7.3 This Agreement may be executed electronically under the Electronic Transactions Act 1999 (Cth).
7.4 Nothing in this Agreement authorises the Licensee to use the Licensed Music for public performance purposes beyond what is described in the permitted use. Separate public performance licences from APRA AMCOS and/or PPCA may be required for public performances of the Licensed Music.
EXECUTED as an agreement on [Agreement Date].
Licensor (Music Rights Owner)
________________
Signature
Date: ________________
Licensee
________________
Signature
Date: ________________
What Is a Music License Agreement (Australia)?
A Music License Agreement in Australia grants a licensee permission to use a specified musical work on defined terms, fees, and territory while the owner retains ownership under the Corporations Act 2001 (Cth).
Australia's music copyright framework is administered in part by two principal collecting societies: APRA AMCOS (Australasian Performing Right Association / Australasian Mechanical Copyright Owners Society), which administers performing rights and mechanical reproduction rights for musical works on behalf of composers, lyricists, and publishers; and PPCA (Phonographic Performance Company of Australia), which administers the right to broadcast or publicly perform sound recordings on behalf of record labels and recording artists.
A direct Music Licence Agreement (as opposed to a blanket licence from a collecting society) is used when the copyright owner grants specific rights directly to a licensee for a defined use — most commonly for synchronisation (use in film, TV, advertising, or online video), for a master use licence (use of a specific recording), or for a custom or exclusive arrangement that falls outside the scope of standard collecting society tariffs.
The Copyright Act 1968 (Cth) defines 'musical work' as a work consisting of music, excluding any words or actions intended to be sung, spoken, or performed with the music (section 10(1)). Literary works (including song lyrics) are protected separately. Sound recordings are protected as a distinct category of 'subject matter other than works'. The term of copyright in a musical work or sound recording in Australia is 70 years from the end of the calendar year in which the work or recording was first published.
A well-drafted Music Licence Agreement clearly defines the type of licence being granted, the territory of use, the duration, the permitted and prohibited uses, the royalty or fee, the royalty accounting and payment obligations, and the moral rights considerations — in particular, the right of attribution under Part IX of the Copyright Act 1968 (Cth).
The legal framework governing the Music License Agreement (Australia) in Australia draws on several key statutes and regulatory bodies. Under the Corporations Act 2001 (Cth), the Australian Securities and Investments Commission (ASIC) regulates companies and financial services. Section 127 of the Corporations Act 2001 governs company execution of documents. The Australian Competition and Consumer Commission (ACCC) enforces the Competition and Consumer Act 2010 (Cth). The Australian Taxation Office (ATO) administers the Goods and Services Tax under the A New Tax System (Goods and Services Tax) Act 1999. The Federal Court of Australia and Supreme Courts of each state have jurisdiction over corporate disputes. Parties executing a Music License Agreement (Australia) in Australia should confirm the document reflects current law, including any amendments enacted since the original drafting date. The Corporations Act 2001 (Cth) sets the foundational requirements.
When Do You Need a Music License Agreement (Australia)?
A Music Licence Agreement is required or strongly recommended in the following situations.
Synchronisation licensing: When a filmmaker, advertising agency, content creator, or broadcaster wishes to use a specific piece of music in synchronisation with visual content — a film, television advertisement, YouTube video, documentary, or web series — a sync licence must be obtained from the musical work copyright owner and, if an existing recording is used, a master use licence from the sound recording owner.
Cover recordings and mechanical licences: When a recording artist wishes to record and distribute a cover version of an existing song, a mechanical licence must be obtained from APRA AMCOS or directly from the music publisher. A direct licence agreement is appropriate where the parties wish to negotiate custom terms outside the standard APRA AMCOS tariff.
Sample clearance: When a producer wishes to incorporate a sample (excerpt) from an existing sound recording into a new musical work, both the musical work copyright and the sound recording copyright must be licensed. Sample clearance requires direct negotiation with the relevant copyright owners and a written sample licence agreement.
Background music for commercial use: For businesses using recorded music as background music in retail stores, restaurants, gyms, or hotels — where the APRA AMCOS and PPCA blanket licences are insufficient for a specific use — a direct music licence may be needed.
Custom music and commissioning: When a business commissions a composer or musician to create original music for a specific commercial purpose (advertising jingle, corporate video soundtrack, event music), a written agreement must specify who owns the resulting copyright, what licence the commissioner has, and whether the composer retains any rights to use the music for other purposes.
Music streaming and digital distribution: When an independent musician distributes their music through streaming platforms (Spotify, Apple Music, YouTube Music), the platform licence agreements govern the mechanical royalty rates. A direct music licence agreement may also be required for exclusive platform licensing arrangements.
What to Include in Your Music License Agreement (Australia)
A well-drafted Australian Music Licence Agreement should include the following key elements.
Identification of the licensed music: The precise title of the musical work and/or sound recording being licensed; the composer, lyricist, and/or recording artist; the ISRC (International Standard Recording Code) for the recording and the ISWC (International Standard Musical Work Code) for the composition, if available.
Type of licence: The specific type of music licence — synchronisation licence, master use licence, mechanical licence, public performance licence, digital download licence, or a combination. Each type authorises different uses and requires different rights to be cleared.
Licence scope and permitted use: A precise description of the permitted use — for example, 'to synchronise the Recording in a 30-second television advertisement for Brand X, to be broadcast on free-to-air television in Australia for a period of 12 months'. Limitations on territory, media, number of plays, or campaign duration must be clearly stated.
Exclusive or non-exclusive: Whether the licence is exclusive (no other licensee can use the music for the same purpose) or non-exclusive (the Licensor can grant the same rights to others). Exclusive licences typically command a higher fee.
Territory: The geographical area in which the licensee may use the music — Australia only, Australia and New Zealand, Asia-Pacific, worldwide.
Duration: The period during which the licence is valid — a fixed term (e.g., 12 months from the campaign launch date), a perpetual licence, or a licence tied to the distribution period of the audiovisual work.
Royalty and payment terms: The fee — a flat fee, a per-unit royalty, a percentage of revenue, or a combination. For royalty-bearing licences, the accounting period, royalty statement obligations, and audit rights.
Moral rights: An acknowledgment of the composer's and recording artist's moral rights under Part IX of the Copyright Act 1968 (Cth), including the right of attribution and the right of integrity. Any consents to attribution in a specific form or to modifications of the work must be expressly addressed.
Reversion and termination: When the licence expires or terminates, the Licensee must cease all uses and destroy or return any licensed copies.
Additional compliance elements for a Music License Agreement (Australia) used in Australia include: Under the Corporations Act 2001 (Cth), the Australian Securities and Investments Commission (ASIC) regulates companies and financial services. Section 127 of the Corporations Act 2001 governs company execution of documents. The Australian Competition and Consumer Commission (ACCC) enforces the Competition and Consumer Act 2010 (Cth). The Australian Taxation Office (ATO) administers the Goods and Services Tax under the A New Tax System (Goods and Services Tax) Act 1999. The Federal Court of Australia and Supreme Courts of each state have jurisdiction over corporate disputes. Forms-legal.com provides this template as a starting point for Australia-compliant documentation.
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Reference this free template in an article, syllabus, or research note:
Forms Legal. (2026). Music License Agreement (Australia) (Australia) [Legal document template]. Forms Legal. https://forms-legal.com/australia/business/intellectual-property/music-license-agreement-australia
"Music License Agreement (Australia) (Australia)." Forms Legal, 2026, https://forms-legal.com/australia/business/intellectual-property/music-license-agreement-australia.
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author = {{Forms Legal}},
title = {Music License Agreement (Australia) (Australia)},
year = {2026},
howpublished = {\url{https://forms-legal.com/australia/business/intellectual-property/music-license-agreement-australia}},
note = {Free legal document template. Based on Corporations Act 2001 (Cth)}
}Also available for these jurisdictions:
Frequently Asked Questions
Under the Copyright Act 1968 (Cth), there are two separate copyrights in a piece of music. First, the copyright in the musical work — this is the copyright in the underlying composition (melody and harmony) and the literary work (the song lyrics). The musical work copyright is typically owned by the composer, the lyricist, or the music publisher to whom rights have been assigned. Second, the copyright in the sound recording — this is the copyright in a specific recorded version of the music. The sound recording copyright is typically owned by the record label or the recording artist who funded the recording. When you license music for any purpose (including as background music in a video, in a film, or for public performance), you may need a licence for both the musical work and the sound recording.
A synchronisation licence (or 'sync licence') grants the right to use a musical composition in 'synchronisation' with visual images — for example, in a film, television programme, advertisement, YouTube video, or other audiovisual work. In Australia, the sync licence covers the underlying musical work copyright and is obtained from the music publisher or composer. If a specific existing recording is being used (rather than a new recording of the composition), a separate 'master use licence' is also required from the owner of the sound recording (typically the record label). For independent musicians, the same person may own both the musical work copyright and the sound recording copyright, in which case one agreement covers both. Under Australia law, Corporations Act 2001 (Cth), parties should seek independent legal advice from a qualified lawyer to confirm compliance with all applicable requirements. Under the Corporations Act 2001 (Cth), the Australian Securities and Investments Commission (ASIC) regulates companies and financial services. Section 127 of the Corporations Act 2001 governs company execution of documents. Forms-legal.com provides this template as a starting point for Australia-compliant documentation.
Yes. Playing music publicly in Australia — including at business events, conferences, in retail stores, restaurants, hotels, and other public venues — requires a public performance licence. In Australia, public performance licences for musical works are administered by the Australasian Performing Right Association (APRA AMCOS), which is the not-for-profit organisation that manages performing rights for music composers, lyricists, and music publishers in Australia and New Zealand. APRA AMCOS issues blanket licences to venues and businesses, allowing them to perform the music in APRA AMCOS's repertoire (which covers most commercially released music). Separately, a phonographic performance licence may be required from the Phonographic Performance Company of Australia (PPCA) if recorded music (rather than live music) is played.
A mechanical licence grants the right to reproduce and distribute a musical work in a physical or digital format — for example, to manufacture CDs, distribute vinyl records, or make a song available for download or streaming on a digital platform. In Australia, mechanical licences for musical works are administered by the Australasian Mechanical Copyright Owners Society (AMCOS), which is now part of APRA AMCOS. Digital music platforms such as Spotify, Apple Music, and YouTube pay mechanical royalties to APRA AMCOS in Australia in respect of streams and downloads of Australian musical works. For independent artists recording and distributing a cover version of an existing song, a mechanical licence must be obtained from APRA AMCOS or directly from the music publisher. Under Australia law, Corporations Act 2001 (Cth), parties should seek independent legal advice from a qualified lawyer to confirm compliance with all applicable requirements. Under the Corporations Act 2001 (Cth), the Australian Securities and Investments Commission (ASIC) regulates companies and financial services. Section 127 of the Corporations Act 2001 governs company execution of documents. Forms-legal.com provides this template as a starting point for Australia-compliant documentation.
Music royalties in Australia can be calculated on a number of different bases depending on the type of licence and use. Common royalty structures include: (1) Flat fee — a one-off payment for a specific, defined use (common for sync licences for advertisements or online videos); (2) Per-unit mechanical royalty — a fixed fee per physical copy manufactured or per digital download (APRA AMCOS publishes tariff rates); (3) Percentage of revenue — a percentage of the licensee's gross revenue derived from the use of the music (common for streaming and subscription services); (4) Broadcast royalty — a fee calculated by reference to the duration of use and the broadcaster's audience or revenue (APRA AMCOS publishes tariffs for radio and TV broadcasters); and (5) Blanket licence — an annual fee for unlimited use of a catalogue (common for venues and retail businesses).
This template is provided for informational purposes only and does not constitute legal advice. Laws vary by jurisdiction and change over time. Consult a qualified attorney for advice specific to your situation.Full disclaimer
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